Oscars this year saw many firsts, and also a fair amount of continuity and predictability

Parasite, there were those who peddled the myth that lightning will not strike the same place twice. It kind of did in the 93rd Academy Awards, when the Best Supporting Actress award went to South Korean Youn Yuh-jung, for her role as granny Soon-ja in the heart-warming Minari, beating off competition from Glenn Close’s mad-haired Mamaw in Hillbilly Elegy. Anthony Hopkins winning his second Best Actor Oscar (he first won for The Silence of the Lambs) for The Father was disappointing, even if deserving. The sentimental favourite was the late Chadwick Boseman, who turned in an incendiary performance as the mercurial trumpeter, Levee Green, in Ma Rainey’s Black Bottom. As expected, Nomadland won big with Best Picture, Best Director for Chloé Zhao and Best Actress (Frances McDormand). It is a historic win for Zhao as she is only the second woman to win the award and the first woman of colour to do so. While elegiac in its beauty, Nomadland should have looked at privilege. Only a white person can feel safe enough to drop off the grid. Wandering white people, even if they are hulking ex-military policemen, are enlightened and definitely not lost, while a homeless black person will always be looked at with suspicion.